By potential polysemy we mean the ability of a grammatical form to have different connotative meanings in various contexts of its uses. Examine for illustration the connotative (syntagmatic) meanings of the Present Continuous signalled by the context in the following sentences:

Brian said to his cousin: "I'm signing on as well in a way, only for life. I'm getting married." Both stopped walking. Bert took his arm and stared: "You're not."

"I am. To Pauline (Sillitoe) -- future time reference. "It was a wedding in the country. The best man makes a speech. He is beaming all over his face, and he calls for attention... (Gordon) -- past time reference; ... "I'm sorry", he said, his teeth together, "You're not going in there". (Gordon) -- the Present Continuous with the implication of imperative modality;

"I am always thinking of him", said she. (Maugham) -- recurrent actions; She is always grumbling about trifles -- the qualitative Present, the permanent characteristic of the subject.

Four combinations of the continuous and the indefinite are possible in principle in Modern English. E.g.: While I was typing, Mary and Tom were chatting in the adjoining room. While I typing, Tom and Mary were chatting in the adjoining room. While I was typing, they chatted in ... While I typed, they chatted.

Clearly, the difference in meaning cannot lie in their time denotations. The time is shown by their time signals (were - ed). The meaningful difference consists in the following: the continuous shows the action in the very process of its realization; the indefinite points it out as a mere fact. We speak of the morphological category of the verb, but care should be taken that the character of the development of the action may also be expressed lexically or remain implicit. E.g.: When I entered the room he was writing a letter. He wrote and wrote the letter (lexically). When I entered the room, he wrote a letter.

In the last sentence the form of the verb doesn't express the Continuous aspect explicitly because the speaker isn't interested in the action, but in the object of the action. The Continuous refers a to a definite time-point. The category of development undergoes explicit various reductions:

1. The unlimitive verbs are very easily neutralized Ex. The night is wonderfully silent. The stars shine with a fierce brilliancy, the Southern Cross and wind. The Duke's face seemed blushed, and more lined than some of his recent photographs showed. He held a glass in his hand.

2. As to the statal verbs, their neutralization amounts to a grammatical rule. They are so called "never-used-in-the-Continuous" verbs: a) the unique “to be” and “to have”; b) verbs of possession, verbs of relation, of physical perception, of mental perception

3. Worthy of note is the regular neutralization with the introductory verb supporting the participial construction of parallel action. Ex. He stood smoking a pipe. Not normally: He was standing smoking.

4. On the other hand, the Continuous can be used to denote habitual, recurrent actions. Continuous verb forms are more expressive than non-continuous - they are used in emotional speech. Ex.: He is always complaining.

5. Special note should be of the broadening use of the Continuous with unlimitive verbs. Here are some typical examples. Ex. I heard a rumor that a certain member here present has been seeing the prisoner this afternoon (E.M. Forster). I had a horrid feeling she was seeing right through me and knowing all about me. What matters is, you're being damn fools (A.Hailey)

6. Compare similar transpositions in the expressions of anticipated future. E.g.: Dr. Aarons will be seeing the patient this morning (A.Hailey). Soon we shall be hearing the news about the docking of the spaceships having gone through.

Since the neutralization of the Continuous with these verbs is quite regular, we have an emphatic reduction serving the purpose of speech expressiveness.

How mysterious women were! One lived alongside and knew nothing of them. What could she have seen in that fellow Bosinney to send her mad? For there was madness after all in what she had done -- crazy moonstruck madness, in which all sense of values had been lost, and her life and his life ruined! (Galsworthy)

It's a kind of queer peace, and I often wonder how I could have been so torn and tortured. (Galsworthy)

It is important to remember that could + Infinitive II may imply two diametrically opposite meanings: a) a real action in the past and b) a non-fact with reference to the past. And here the implied context is all that can be considered relevant.

6. Meaning of category of Voice

The category of Voice expresses relations between the subject and the object of the action or between the subject and the action.

The opposition of the passive form of the verb to the active form of the verb expresses the voice of the English Verb. E.g.: writes - is written. The passive form is the strong member of the opposition. On the plane of expression it is marked by the combination of the auxiliary be with the Past Participle of the notional verb. The agent may be expressed in the sentence and it's usually introduced with the help of the preposition by. Ex. The book is written by a young writer.

The sentence with the passive voice may include a means of the action, which is introduced, with the help of the conjunction with. Ex. The book is covered with a newspaper.

The category of voice has a much broader representation in the system of the English verb than in the system of the Ukrainian verb, since in English not only transitive but also intransitive verbs can be used.

The demarcation line between the passivized and non-passivized set is not rigid, and the verbs of the non-passivized set may migrate into the passivized set in various contexts. Ex. The bed has not been slept in. The house seems not to have been lived in.

Sometimes the opposition between 2 forms may be reduced. It means that the verb may be used in the Active Voice form with the meaning of the Passive Voice.

Some verbs which are usually followed by an object (to sell, to cut, to wash) can be used without an object and take on a passive meaning. In this case, the person carrying out the action of the Verb is not referred to. Ex. This book sells well, i.e. it is sold to many people. The dress washes/irons well, i.e. it is easily washed/ironed. This material makes up nicely into suits, i.e. it can be used by the tailor for making suits. The butter spreads easily, i.e. it can be spread easily. The bread is cutting badly because it's very soft, i.e. to cut the bread is difficult. Other tenses may also be used. The book sold well. The dress has washed well. The material will make up nicely.

Note: the verbs are followed by adverbs in the above examples. It is also possible to omit the adverb, if the meaning is clear. This is often the case in the question form and in the negative. E.g.: The book didn't sell, so it wasn't reprinted. The dress is very pretty. Will it wash? The material should make up into a winter dress, shouldn't it? Butter won't spread when it's been in the fridge. Will the bread cut? If not, try the other knife.

There are some other verbs of this sort, with the nouns (subjects) that they are often used with in this construction

(A car) drives, steers

(A boat) sails

(A clock) winds up

(A door) locks, unlocks

(A book) reads well / easily, i.e. the book is good / easy to read.

Large native cigarettes smoked easily and coolly. The lion chops will eat better than they look.

Besides there 2 Voice some authors speak of some more Voice forms. The most popular are the Reflexive Voice and the Reciprocal Voice and the Middle Voice. Ex. She dressed herself. They helped each other.

The reflexive and reciprocal pronouns should be looked upon as the voice auxiliaries. Such word combinations are treated as analytical verb forms of the Reflexive or Reciprocal voice . However we can't agree to the idea , because :

1. The reflexive/reciprocal pronouns preserve their lexical meaning but auxiliaries in analytical forms loose their meanings.

2. There are syntactic relations between the components. The reflexive / reciprocal pronouns are objects to the verbs. We can prove this by using homogeneous objects. Ex. He dressed himself and his brother. They praised one another and all the quests. He defended himself, a victim of the situation.

Hence, such word combinations are free word combinations. As for the Middle Voice, some authors find it when comparing the following sentences: Ex. He opened the door.-The door opened.

The Middle Voice uses are cases of neutralizing reduction of the voice oppositions. Ex. He broke the ice.-The ice broke.

The verbs are active in form, but passive in meaning. Ex. She was delightful to look at, witty to talk to.

Another case of neutralization: You are mistaken (Passive in form, but active in meaning). It expresses a state.

The forms of the Active Voice can't be opposed and it there is no opposition we can't speak of any special grammatical category. In sentences like “the door opened” we should speak of medial verbs in the Active Voice.

7. Category of Tense

Traditional grammar speaks of 16 tense forms in English but actually there exist only 4 of them. The matter is that when speaking about an action we express its primary characteristics of tense but then it may be necessary to show the character of the development of the action or to compare the action with some other one and then in such cases the primary tense category is modified by some other verb categories such as aspect (continuous or non-continuous), perfect (perfect or non-perfect).

So we get complex analytical forms, which express not one category of tense but a number of them. Ex. If we analyze such forms, as "is reading" we should say that this verb expresses Present Tense and continuous aspect. Hence the modification of the category of Tense by the category of aspect brings about the appearance of 16 verb forms.

When speaking about the category of tense we should remember that we distinguish different tense forms on the basis of some opposition. But in a number of cases these oppositions may be reduced. It means that morphological form typical of one tense may express the meaning of some other tense. We usually observe it in definite contexts.

Ex. The form of the Present Tense may express the meaning of the Past, Future Tense in subordinate clauses of time and condition (If I see him tomorrow I will ask him to do it for you).

Besides the Present Tense may be used to express an action planned for the Future especially with verbs of motion.

When dealing with the category of tense we should touch upon one more problems, which is typical of English. The problem is known as the Sequence of Tenses. In English if the predicate verb in the main clause of a complex sentence is used in the past tense, the predicate verbs in the subordinate clauses саn be used in the present or future tenses. The Present Tense is replaced by the Past Tense modified or not modified by the Perfect and the Future Tense is replaced by the Future-in-the-Past.

The Sequence of Tenses is explained by many traditional grammars as a mechanical shift of tenses. However, this explanation can't be treated as adequate. No mechanical shift takes place.

In the events in the main and subordinate clauses are simultaneous, then the same tense forms are used. If the events of the subordinate clause precede the events of the main clause, than the predicate verb in the subordinate clause is modified by the Perfect.

In the actions the subordinate clause follow the events of the main clause, then the predicate verb takes the specific form in the Future-in-the-Past.

We observe this correlation of events only when the starting temporal center is in the Past.

But if the starting point is in the Present, no sequence of tenses is observed and we use any tense form in the subordinate clause or clauses, which is required by the logical sequence of events. So what we mean by the traditional term Sequence of Tenses that is in reality sequence of events is nothing but a synthesis of two categorical notions:

1) The category of tense which expresses the relation of the action to some moment of time.;

2) The category of perfect, which expresses the relation of actions to each other.

7. The most controversial category -Mood

The category of Mood is the most controversial category of the verb.

B.A. Ilyish: " The category of mood in the present English verb has given rise to so many discussions, and has been treated in so many different ways, that it seems hardly possible to arrive at any more less convincing and universally acceptable conclusion concerning it."

The category of Mood expresses the relations between the action, denoted by the verb, and the actual reality from the point of view of the speaker. The speaker may treat the action/event as real, unreal or problematic or as fact that really happened, happens or will happen, or as an imaginary phenomenon.

It follows from this that the category of Mood may be presented by the opposition

obligue mood - direct mood

= unreality = reality.

The former is the strong member.

The latter is the weak member.

Mood relates the verbal action to such conditions as certainty, obligation, necessity, and possibility.

The most disputable question in the category of mood is the problem of number and types of Oblique Moods. Oblique Moods denote unreal or problematic actions so they can't be modified by the category of tense proper. They denote only relative time, that is simultaneousness or priority. Due to the variety of forms it's impossible to make up regular paradigms of Oblique Moods and so classify them.

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